Performative Traditions and Folk Theatre of the Bodo People
| Authors |
| Pranab Jyoti Narzary |
| Date of Publication: December, 2024 |
| Volume: XXIII, No.- XXVI |
| Abstract |
| This paper explores the performative traditions and folk theatre of the Bodo people of Assam, an indigenous community with a vibrant oral culture. In the absence of an early written tradition, Bodo theatrical forms evolved from ritual, mythological, and communitybased performances. Central to this evolution are genres such as Jatra Gaan, Ek Thengiya Gan, Kherai Mwsanai, Musukha Bhaothina, Solo Bungnai, and Subung Mwsanai. These forms range from purely dramatic enactments to ritual and narrative performances, deeply embedded in the socio-cultural and religious life of the Bodos. The study examines the typology, narrative structure, performance styles, characters, costumes, musical instruments, and community participation in these forms. Despite facing decline due to the rise of modern entertainment, Bodo folk theatre continues to play a critical role in preserving cultural identity, transmitting values, and fostering community cohesion. |
| View Full Article |
